Veronica Hurst’s fiancé Richard Carlson becomes estranged as he takes possession of his ancestral Scottish castle, harbouring a dark secret. Atmospherically filmed in 3D in 1953, this fringe SF production is hampered by an oft-ridiculed climax. 6/10
This 1953 classic is the most visually unabashed SF movie of the 50s. While hampered by a low budget, this first “invasion of the body snatchers” film scared a generation of kids witless, but also contains interesting themes for adults to chew on. 7/10
This tense little 1951 thriller by W.C. Menzies had Hitler hiding in a US fishing village. RKO owner Howard Hughes wanted the Commies to be the bad guys instead, so it was reshot with Red Scare hysterics. Still, the genius of the original shines through. 7/10.
In the 1930’s science fiction finally made the leap from European screens to Hollywood. More than anything, the SF invasion of the thirties can be attributed to Universal Studios’ resurrection […]
H.G. Wells and William Cameron Menzies take us on an epic journey through the future in this pompous 1936 social prophesy, the last big SF film before the 1950s. The most expensive film made in Britain at the time, Things to Come boasts incredible sets and effects, but the script is stiff, the acting wooden and the viewer bludgeoned to boredom with the message. 6/10
This 1932 sci-fi/adventure film has been called the first superhero movie. Bela Lugosi shines as the villain, William Cameron Menzies directs with style and the sets and special effects are very impressive. The inane plot is secondary in the breezy, fun juvenile adventure set in Egypt. 6/10